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They talked about their families and the crimes that had gotten them locked up.īut then David said something that struck John as strange. He was in his early 20s, over six feet with a tuft on his chin and a thin mustache. His new cellmate, whom we’ll call David, had already served a little more than a year out of a minimum of eight for robbery. From the prison library he pulled volumes ranging from the poems of Langston Hughes (“They’re so simple, but they explain so much”) to thriller paperbacks by Dean Koontz and James Patterson. He settled into GED classes and shifts serving breakfast and lunch. John didn’t take these letters seriously he threw many of them away.
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“You need a white man to show you how to act.When the opportunity comes I want to sneak in your house and hit that.” Another letter said he had a “fan club.” John would get a lot of letters from other prisoners over the next few months, and while they were not always explicit, some certainly were. It was around this time that the letters started sliding under his cell door. His second cellmate was also a lifer, and friendly enough, but after a few days the man asked to be paired with another lifer, so John was moved again. John requested and received a new cell assignment. Something about him seemed a little off, and that night, John says he awoke and saw this man sitting at a desk, wide awake, and staring right at him. His first cellmate was an older man, black like John, who was serving a life sentence, and he didn’t say much. But he also noticed that he was one of the youngest prisoners on the block. Over the next few days, while bringing trays of food around the blocks for his new kitchen job, John would learn that he had been placed in one of the nicer units (another he saw “looked like a basement, with the lights busted out”). Once inside, he could try grimacing to look tough, as he had in his early mugshots, though he couldn’t hide his skinny frame or his high-pitched voice. Standing in a line with several dozen other men, John stripped off his navy blue scrubs, squatted, and coughed to prove he wasn’t hiding anything. xXx sets out to entertain, and that it does.This story was produced in collaboration with The Atlantic. No one would believe a guy like Xander Cage would be recruited as an undercover agent in any sort of organization, but that's not really the point.
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I think the bottom line is, this movie is so far-fetched and insane that it works as one of the best mindless action adventures of the last decade. Jackson & an equally clichéd turn from Marton Csokas. The supporting characters are fittingly absurd and bizzare, led by a prototypical performance from Samuel L.
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All are staples of the franchise, and Xander Cage's first film outing is no different. Fast cars, explosions, women in scantily clad attire, incoherent plots, over-the-top villains, and catchy music. Essentially, this is just another Fast & Furious movie. Especially when it contains countless one-liners that do nothing but put a smile on my face from ear to ear. Or, at least the dialogue coming out of their mouths is awful.īut does a film like this really need to have great dialogue? I guess not. The humor is there, but in no way do I believe it's intentionally funny. xXx certainly has fun action, but that's about it. Now, the Fast & Furious franchise has figured out the right balance of lighthearted humor, bada** action sequences, and developed characters who we actually care about. What's not to like about it? Heck, even the horribly awful things are entertaining.īack when Vin Diesel decided not to come back to the Fast & Furious franchise, he chose to join F&F 1 director Rob Cohen in taking on another ridiculous action extravaganza, xXx.
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If any future filmmakers are looking for inspiration in the guilty-pleasure high octane action genre, xXx is exactly the film to look into.